Season’s Greetings! (Podcast #17-017)

Xmas

Happy Holidays from

Ellington Reflections!

 

We will return with new bi-weekly episodes on 20 January 2018

 

Thank you for all your support and encouragement. We love you madly!!!

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The Cinematic Ellington (Podcast #17-016)

“Has Duke Ellington ever saved your life?

David O. Russell knows the answer to that particular question because Ellington’s music has rescued him many times. It happened yesterday. It’ll probably happen again tomorrow. And it also happens near the beginning of Russell’s latest movie, American Hustle, when a couple of con artists, played by Christian Bale and Amy Adams, plop down on the floor and listen to Ellington’s slow-cooker classic “Jeep’s Blues” and look into each others’ eyes and know they’ve found heaven on a cracker.”

-Glenn Whipp, Los Angeles Times


Is this Duke Ellington in a 1925 silent film?


The full short film “Black and Tan” (1929)


“Old Man Blues” from “Check and Double Check” (1930)


“Ebony Rhapsody” from “Murder at the Vanities” (1934)


“Things Ain’t What They Used To Be” and “Going Up” from “Cabin In The Sky” (1943)


“Battle Royal” from “Paris Blues” (1961)


“Neo-Creole” from “Change of Mind” (1969)


 

The “Duke Ellington scene” from “American Hustle” (2013)



The recordings heard on this podcast episode:



paris blues

Take the “A” Train (CD: “Paris Blues” Rykodisc RCD 10713)

Recorded 1961

Murray McEachern – trombone; Paul Gonsalves (?) – tenor sax;


early ellington

Flaming Youth (CD: “Early Ellington (1927-1934)” Bluebird RCA / Bluebird
6852)

Recorded 16 January 1929 in New York City

Arthur Whetsel, Bubber Miley, Freddie Jenkins – trumpet; Joe Nanton – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums

Old Man Blues (CD: “Early Ellington (1927-1934)” Bluebird RCA / Bluebird
6852)

Recorded 20 August 1930 in Los Angeles

Arthur Whetsel, Freddie Jenkins, Cootie Williams – trumpet; Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums.


capitol

My Old Flame (CD: “The Complete Capitol Recordings of Duke Ellington” Mosaic Records #160)

Recorded 7 April 1953 in Los Angeles

Willie Cook, Cat Anderson, Clark Terry, Ray Nance – trumpet; Britt Woodman, Quentin Jackson, Juan Tizol – trombone; Jimmy Hamilton, Russell Procope, Rick Henderson, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Wendell Marshall – bass; Butch Ballard – drums.


carnegie

Going Up (CD: “The Complete Prestige Carnegie Hall 1943-1944 Concerts Definitive Classics DRCD 11210)

Recorded 23 January 1943 at Carnegie Hall, New York City

Wallace Jones, Rex Stewart, Harold Baker – trumpet; Ray Nance – trumpet and violin; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Chauncy Haughton, Johnny Hodges, Otto Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Junior Raglin – bass; Sonny Greer – drums.


anatomy of a murder

Flirtibird//Upper and Outest (CD: “Anatomy of a Murder” Columbia/Legacy
CK 65569)

Recorded early June 1959 in Los Angeles

Cat Anderson, Harold Baker, Gerald Wilson, Clark Terry, Ray Nance – trumpet; Britt Woodman, Quentin Jackson, John Sanders – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington, Billy Strayhorn – piano; Jimmy Woode – bass; Jimmy Johnson – drums.


uncommon market

Guitar Amour (from “Paris Blues”) (CD: “Duke Ellington in the Uncommon Market” Pablo
2308247)

Recorded 6 or 7 February 1963 in Stockholm

Cootie Williams, Roy Burrowes, Cat Anderson – trumpet; Ray Nance – violin; Lawrence Brown, Buster Cooper, Chuck Connors – trombone; JimmyHamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Ernie Shepard – bass; Sam Woodyard – drums.



assault on a queenPrelude
(Main title music from “Assault on a Queen”) 1966 (CD: “Assault on a Queen” Dragon’s Domain Records DDR621)

Recorded 19/20 January 1966 in Los Angeles

Cootie Williams, Cat Anderson, Conte Candoli, Al Porcino, Ray Triscari – trumpet; Murray McEachern, Milt Bernhart, Hoyt Bohannon, Ken Shroyer – trombone; Jimmy Hamilton, Buddy Collette, Johnny Hodges, Paul Gonsalves, Bud Shank, Harry Carney – reeds;  Catherine Gothoffer – harp; Duke Ellington – piano; John Lamb – bass; Louie Bellson – drums.


workshop

Neo-Creole (from “Change of Mind”)(LP: “Up In Duke’s Workshop” Pablo 2310-815)

Cootie Williams, Willie Cook, Mercer Ellington, Harold “Money” Johnson – trumpet; Lawrence Brown, Benny Green, Chuck Connors – trombone; Norris Turney, Russell Procope, Johnny Hodges, Harold Ashby, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Paul Kondziela, Victor Gaskin – bass; Rufus Jones – drums.


EllingtonAtNewport

Jeep’s Blues (CD: “Ellington at Newport 1956 (Complete)” Columbia Legacy C2K 64932)

Recorded 9 July 1956 in New York City (Fake applause was added to make this studio recording appear as if it was recorded at the Newport Jazz Festival)

Cat Anderson, Clark Terry, Willie Cook, Ray Nance – trumpet; Britt Woodman, Quentin Jackson, John Sanders – trombone; Johnny Hodges, Russell Procope, Paul Gonsalves, Jimmy Hamilton, Harry Carney – reeds; Duke Ellington – piano; Jimmy Woode – bass; Sam Woodyard – drums.


0000120517

It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.


 

 

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The River (Podcast #17-015)



“In retrospect, it seems that 1970 must have been a busy year, because I was also working on a ballet score that had been commissioned by the American Ballet Theatre. Choreographed by Alvin Ailey, the ballet was premiered at the New York State Theatre on June 25, and it received enthusiastic reviews from, notably Clive Barnes in the New York Times. It was entitled The River…..”

–Duke Ellington, Music Is My Mistress



 



The recordings heard on this podcast episode:



 

River

The Spring//The Meander//The River//The Neo-Hip-Hot Kiddies Communities//Her Majesty, The Sea (CD: “The Private Collection, Volume 5 – The Suites” LMR CD 83004)

Recorded 25 May 1970 in Chicago

Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone – trumpet; Booty Wood, Julian Priester, Chuck Connors – trombone; Russell Procope, Norris Turney, Harold Ashby, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Joe Benjamin – bass; Rufus Jones – drums.


The River_Louisville

The Giggling Rapids//The Lake(LP: “Suite from The River” First Edition Records LS 777)

Recorded 1983

The Louisville Orchestra, Akira Endo – director.


overwater

The Run//The Falls//The Whirlpool//The Spring (CD: “Ellington Suites” Jazz in Motion Records JIM 75219)

Recorded 16 February 2005, live at the Bimhuis, Amsterdam

Tony Overwater – bass; Wim Kegel – drums; Oliver Boekhoorn – oboe, English Horn; Ivar Berix – clarinet; Raaf Hekkema – alto sax; Jelte Althuis – bass clarinet; Alban Wesly – bassoon.


Accelerando_(album)

 

The Villiage of the Virgins (CD: “Accelerando” Act Music + Vision ACT95242)

Recorded 8/9 August 2011 in New York City

Vijay Iyer – piano; Stephen Crump – bass; Marcus Gilmore – drums.


 

 

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Reflections from the Avant Garde (Podcast #17-014)



“Now, when I was considered avant garde, Duke Ellington at that time was avant garde to me — and I’m sure Barry Ulanov would say the same thing, although he never exactly said Duke was avant garde; but Duke was, because his music was more modern than most things going on.”

Charles Mingus



SUNRA

Sun Ra and his Arkestra at the Coach House in San Juan Capistrano, CA 1985 (photo by Steve Bowie)





The recordings heard on this podcast episode:



montr

Take the “A” Train (CD: “Live at Montreux” Inner City )

Recorded 9 July 1976 in Montreux, Switzerland

Sun Ra – piano; Ahmed Abdullah, Al Evans, Chris Capers – trumpet; Vincent Chancey: – french horn; Marshall Allen, John Gilmore, Pat Patrick, James “Ham” Jackson, Elo Omo, Danny Davis – reeds; Tony Bunn, Hayes Burnett – bass; Clifford Jarvis, Larry Bright, Stanley Morgan – drums and percussion.


 

AEC

Creole Love Call (CD:”Ancient to the Future, Volume 1″ DIW 804)

Recorded 17-19 March 1987 in Brooklyn, NY

Lester Bowie – trumpet; Roscoe Mitchell, Joseph Jarman – reeds; Malachi Favors – bass; Famadou Don Moye – drums.


WSQ

Come Sunday (CD: “The World Saxophone Quartet Plays Duke Ellington” Nonesuch
79137)

Recorded April 1986 in New York City

Julius Hemphill, Oliver Lake – alto sax; David Murray – tenor sax;  Hamiet Bluiett – baritone sax.


Highlights

Jumpin’ Punkins (CD: “Highlights of the Great 1940-1942 Band” Avid AMSC1143)

Recorded 5 June 1941, Los Angeles

Wallace Jones, Rex Stewart, Ray Nance – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Otto Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums.


cecil taylor

Jumpin’ Punkins (CD: “The Complete Candid Recordings of Cecil Taylor and Buell Neidlinger” Mosaic 127)

Recorded 9 January 1961 in New York City

Cecil Taylor – piano; Clark Terry – trumpet; Roswell Rudd – trombone; Steve Lacy – soprano sax; Archie Shepp – tenor sax; Charles Davis – baritone sax; Buell Neidlinger – bass; Billy Higgins – drums.


archie shepp

Prelude to a Kiss (CD: “Day Dream” Denon Jazz DC-8547)

Recorded 3 June 1977 in New York City

Archie Shepp – tenor sax; Walter Davis – piano; Earl May – bass; Philly Joe Jones – drums.


Steve Lacy

Ko Ko (CD: “Monk’s Dream” Universal / Verve E5430902)

Recorded 21-22 June 1999 in Paris

Steve Lacy – soprano sax; Roswell Rudd – trombone; Jean-Jacques Avenel – bass; John Betsch – drums.


foreground

Summertime (CD: “Piano in the Foreground” Columbia / Legacy  87042)

Recorded 1 March 1961 in Los Angeles

Duke Ellington – piano; Aaron Bell – bass; Sam Woodyard – drums.


0000120517

It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.

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Ellington & 100 years of Thelonious Monk and Dizzy Gillespie (Podcast #17-013)

“I always like the bop, and I am proud to say that the fabulous, flamboyant John Birks Gillespie worked in our band once, for four weeks. Diz played with us at the Capitol Theatre in 1944, when we had the gorgeous Lena Horne on the bill. Of course, I’d known him for quite a while before that, because I was an avid visitor on Fifty-second Street.”

–  Duke Ellington, Music Is My Mistress


 

monk and diz.jpg

Thelonious Monk and Dizzy Gillespie at the 1963 Monterey Jazz Festival. (Photo by Jim Marshall)


diz and duke

Duke Ellington and Dizzy Gillespie




 

DIZZY

Dizzy Gillespie at Disneyland, 1984. Autographed in 1985. (Photo by Steve Bowie.)



The recordings heard on this podcast episode:



happy BD

Happy Birthday To You (CD: “Happy Birthday, Duke! The Birthday Sessions, Volume  3” Laser Light 15 785)

Recorded 30 April !953, Portland, Oregon

Willie Cook, Cat Anderson, Clark Terry, Ray Nance – trumpet; Britt Woodman, Quentin Jackson, Juan Tizol – trombone ; Jimmy Hamilton, Russell Procope, Rick Henderson, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Wendell Marshall – bass; Butch Ballard – drums.


 DG

Caravan (CD: “Dee Gee Days The Savoy Sessions” Savoy ZD70517)

Recorded 25 October 1951 in New York City

Dizzy Gillespie – trumpet; Stuff Smith – violin; Bill Graham – baritone sax; Milt Jackson – piano; Percy Heath – bass; Al Jones – drums; unknown – percussion.


 

jazz party

U.M.M.G./Hello, Little Girl (CD: “Jazz Party” Columbia CK-40712)

Recorded 19 February 1959 in New York City

Cat Anderson, Harold Baker, Clark Terry, Ray Nance – trumpet; Britt Woodman, Quentin Jackson, John Sanders – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Jimmy Woode – bass; Sam Woodyard – drums, Jimmy Rushing – vocal.


 

Monk

Caravan (CD: “Thelonious Monk plays Duke Ellington”  Universal
0546796)

Recorded 21 July 1955, Hackensack, New Jersey

Thelonious Monk – piano; Oscar Pettiford -bass; Kenny Clarke – drums.


 

blanton webster

Sentimental Lady (CD: “The Blanton-Webster Band” Bluebird RCA 5659-2-RB35)

Recorded 28 July 1942 in Chicago

Wallace Jones, Rex Stewart, Ray Nance – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Chauncy Haughton, Johnny Hodges, Otto Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Junior Raglin – bass; Sonny Greer – drums.


 

Thelonious_Monk_-_straight,_no_chaser

I Didn’t Know About You (CD: “Straight, No Chaser” Columbia/Legacy CK 64886)

Recorded 1966 in New York City

Charlie Rouse – tenor sax; Thelonious Monk – piano; Larry Gales – bass; Ben Riley – drums.


 

volume 3

Monk’s Dream (CD: “The Private Collection, Volume 3” Saja 91043-2)

Recorded 13 September 1962 in New York City

Cootie Williams, Bill Berry, Roy Burrowes, Cat Anderson, Ray Nance – trumpet; Lawrence Brown, Buster Cooper, Chuck Connors – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Aaron Bell – bass; Sam Woodyard – drums.


 

Monk’s Dream/Frere Monk (LP: Gambit Records Ga 69299)

Recorded 8 July 1962, Newport, Rhode Island

Bill Berry, Roy Burrowes, Cat Anderson, Ray Nance – trumpet; Lawrence Brown, Buster Cooper, Chuck Connors – trombone; Jimmy Hamilton, Gene Hull, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Thelonious Monk – piano; Aaron Bell – bass; Sam Woodyard – drums.


 

0000120517

It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.



 

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Portrait of Barney Bigard (Podcast #17-012)

“I honestly can’t tell much about my impression of the band that first night. I was too busy fighting the notes, the reading stuff, to pay much attention to the band. I remember the weird chords that would come in behind us. I wasn’t used to that kind of chording at all, but the more I played with them, the more accustomed my ear got to it all. I used to go to Duke in the intermission and say,”Those chords behind me on such-and-such a number: they just don’t sound right to me.” He would sit right down and show me what he was doing. He’d break all the principles of arranging too. He’d give a guy different notes to what he should have had for his instrument.”

-Barney Bigard, With Louis and the Duke


reed section

Duke Ellington, Harry Carney, Barney Bigard, Otto Hardwicke, Johnny Hodges


 

Bigard

Autographs of Barney Bigard, Marshal Royal, Bill Berry and Britt Woodman

Anderson

Autographs of Buster Cooper and Cat Andersonprogram1program2



Click here to connect to Mark Sowlakis’ excellent blog posting Albany “Barney” Bigard – New Orleans Creole Clarinet, complete with several transcriptions and a discography.


cat anderson book

Geoff Winstead revised Cat Anderson’s high note trumpet method book.


“Paradox, Ambiguity, and Irony”


 


 

 



The recordings heard on this podcast episode:



 

mood indigo

High Life (LP: “Mood Indigo” RCA ADL2-0152)

Recorded 16 January 1929 in New York City

Arthur Whetsel, Bubber Miley, Freddie Jenkins – trumpets; Joe Nanton – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds;  Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums, chimes.


elling_duke_complete1_101b

Rose Room (CD: “The Complete 1932-1940 Brunswick, Columbia and Master Recordings of Duke Ellington and his Famous Orchestra” Mosaic Records #248)

Recorded 11 February 1932, New York City

Arthur Whetsel, Cootie Williams, Freddie Jenkins – trumpet; Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums.

Clarinet Lament (CD: “The Complete 1932-1940 Brunswick, Columbia and Master Recordings of Duke Ellington and his Famous Orchestra” Mosaic Records #248)

Recorded 27 February 1936 in New York City

Arthur Whetsel, Cootie Williams, Rex Stewart – trumpets; Lawrence Brown, Joe Nanton, Juan Tizol – trumpets; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Hayes Alvis – bass; Sonny Greer – drums.

Prologue to Black and Tan Fantasy/The New Black and Tan Fantasy (CD: “The Complete 1932-1940 Brunswick, Columbia and Master Recordings of Duke Ellington and his Famous Orchestra” Mosaic Records #248)

Recorded 13 January 1938 in New York City

Arthur Whetsel, Cootie Williams, Rex Stewart, Freddie Jenkins – trumpet; Lawrence Brown, Joe Nanton – trombone; Barney Bigard, Johnny Hodges, Otto Hardwicke, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Billy Taylor, Hayes Alvis – bass; Sonny Greer – drums.


 

small groups

Caravan (CD:”The Complete 1936-1940 Variety, Vocalion and Okeh Small Group Sessions” Mosaic Records #235)

Recorded 19 December, 1936 in Los Angeles

Cootie Williams – trumpet; Juan Tizol – valve trombone; Barney Bigard – clarinet; Harry Carney – baritone sax; Duke Ellington – piano; Billy Taylor – bass; Sonny Greer – drums.


Highlights

Are You Sticking? (CD: “Highlights of the Great 1940-1942 Band” Avid AMSC1143)

Recorded 5 June 1941, Los Angeles

Wallace Jones, Rex Stewart, Ray Nance – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Otto Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums.


fabulousBojangles/Rose Room (CD: “The Fabulous Ellingtonians” Mercury 830 926-2)

Recorded 5 February 1945 in New York City

Barney Bigard – clarinet; Joe Thomas – trumpet; Johnny Guarnieri – piano; Billy Taylor – bass; Cozy Cole – drums.


armstrong ellington

In A Mellow Tone/The Beautiful Americans (CD: “The Complete Louis Armstrong & Duke Ellington Sessions” Roulette Records / Blue Note 5245462)

Recorded 3 April 1961, New York City

Louis Armstrong – trumpet, vocal; Trummy Young – trombone; Barney Bigard – clarinet; Duke Ellington – piano; Mort Herbert – bass; Danny Barcelona – drums.


rugged jungle

Rose Room (CD: “Rugged Jungle” Lost Secret LSR-001)

Recorded 8 July 1972 at Carnegie Hall, New York City

Cootie Williams, Mercer Ellington, Harold “Money” Johnson, Johnny Coles – trumpet; Tyree Glenn, Vincente Prudente, Chuck Connors – trombone; Barney Bigard, Russell Procope, NorrisTurney, Harold Minerve, Harold Ashby,  Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Joe Benjamin – bass; Rufus Jones – drums.


clarinet gumbo


Mood Indigo
(LP: “Clarinet Gumbo” RCA APL1-1744)

Recorded 25 June 1973 in Hollywood, California

Barney Bigard – clarinet; Dick Cary – piano; Dave Koonse – guitar; Eddie Safranski – bass; Nick Fatool – drums.


0000120517

It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.

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When Cootie Left the Duke, Pt. III (Podcast #17-011)

“…Benny Goodman, just back from Russia, persuaded [Cootie] Williams and Teddy Wilson to rejoin him. It was an amusing stint [Williams] recalled. “Sometimes Goodman would let you play,” he explained, “and other times he wouldn’t. He has his ways, as everyone knows. At Freedomland one night there was no bass player – he’d forgotten he’d fired him the evening before. Benny, though, is a great musician,” he laughed, “but I’d already been talking with Harry Carney. ‘Tell Duke,” I’d said, ‘that I’m ready to come back.'”

-from The World of Duke Ellington, by Stanley Dance


 

CW orch size

…and Cootie never led a big band again….


j46-dinah-washington-large-300x300 (1)

heritage-auctions-posters-dinah-washington

Tour package posters featuring Cootie Williams and Dinah Washington


 

cootie and catherine

Cootie and his wife Catherine in Jet Magazine, issue dated 3 February 1955 


South

An illustration of Cootie’s appeal



The recordings heard on this podcast episode:



Dinah Washington

Resolution Blues ( CD: “Dinah Washington – The Queen Sings” Proper Records PROPERBOX 43)

Recorded 16 July 1947, New York City

Dinah Washington – vocal; Cootie Williams, Bob Merrill – trumpet; Rupert Cole – alto sax; William “Weasel” Parker – tenor sax; Arnold Jarvis, James Lowe – piano; Leonard “Heavy” Swain – bass; Sylvester Payne – drums.


CW Classics 1946-1949

(CD: “Cootie Williams and his Orchestra 1946-1949” Classics 1105)

Let ‘Em Roll Recorded 2 March 1949, New York City

Cootie Williams – trumpet; Bob Merrill – trumpet, vocal; Rupert Cole – alto sax; Willis Jackson – tenor sax; Lester Fauntleroy – piano; Leonard “Heavy” Swain – bass; Gus Johnson – drums.

You Gotta Pay Those Dues Recorded 20 September 1949, New York City

Cootie Williams – trumpet; Bob Merrill(?) – trumpet; Rupert Cole(?) – alto sax; Willis Jackson – tenor sax; Lester Fauntleroy(?) – piano; Leonard “Heavy” Swain(?) – bass; Gus Johnson(?) – drums; Eddie Mack – vocal.

(NOTE: In the podcast, it was erroneously stated that these two recordings dated from 1947.)


CW in hifi

Boomerang (CD: “Cootie Williams in Hi-Fi” RCA 63561-2)

Recorded 10 July 1957, New York City

Cootie Williams – trumpet; George Berg, Rupert Cole, George Clark, Elwyn Fraser – saxophones; Skeeter Best, Larry Dale – guitar; Abe Baker – bass; Dave Martin – piano; Lester Jenkins – drums; Leroy Glover – organ.


porgy

Bess, You is my woman now (LP: “Porgy & Bess Revisited” Disques Swing SW-8414)

Recorded late 1958, New York City

Cootie Williams (“Porgy”) – trumpet; Rex Stewart (“Sportin’ Life”) – cornet; Lawrence Brown (“Serena” and “Clara”) – trombone; Hilton Jefferson (“Bess”) – alto sax; Pinky Williams (“Jake”) – baritone sax; Bernie Glow, Joe Wilder, Ernie Royal, Al Derisi – trumpet; Urbie Green, Eddie Bert, Sonny Russo – trombone; Sid Cooper, Walt Levinsky, Al Klink, Boomie Richman – reeds; Buddy Weed – piano; Barry Galbraith – guitar; Milt Hinton – bass; Don Lamond – drums; plus string section.


CW in hifi

Just In Time (CD: “Cootie Williams in Hi-Fi” RCA 63561-2)

Recorded March/April 1958 New York City

Cootie Williams – trumpet; Billy Byers, Bobby Byrne, Lou McGarity – trombone; Dick Hixon – bass trombone; Phil Bodner, Elwyn Fraser, Nick Caiazza, Romeo Penque, Boomie Richman – saxophones; Hank Jones – piano; Tony Mottola – guitar; Eddie Safranski – bass; Don Lamond – drums.


Big Challenge

I Got A Right To Sing The Blues/Alphonse and Gaston (LP: “Cootie and Rex – The Big Challenge” Hall of Fame Jazz Greats JG-602)

Recorded 30 April 1957, New York City

Cootie Williams – trumpet; Rex Stewart – cornet; Lawrence Brown, J.C. Higginbotham – trombone; Coleman Hawkins, Bud Freeman – tenor sax; Hank Jones – piano; Billy Bauer – guitar; Milt Hinton – bass; Gus Johnson – drums.

Horn solo order on Alphonse and Gaston – Lawrence Brown/J.C. Higginbotham (4 times); Coleman Hawkins/Bud Freeman (4 times) Cootie Williams/Rex Stewart (1st and 2nd time – plungers; 3rd time – half valve; 4th time – open)


bessie smith

Gin House Blues (LP: Ronnie Gilbert, “The Legend of Bessie Smith” RCA LPM-1591)

Recorded 8-9 August 1957 New York City

Ronnie Gilbert – vocal; Cootie Williams – trumpet; Benny Morton – trombone; Buster Bailey – clarinet; Claude Hopkins – piano; Steve Jordan or George Barnes or Fred Hellerman – guitar; George Duvivier – bass; Osie Johnson – drums.


Do Nothin

I Got It Bad (and That Ain’t Good)/It Don’t Mean a Thing If It Ain’t Got That Swing (CD: “Do Nothin’ Till You Hear From Me” Collectables COLCD 6121)

Recorded 1959

Cootie Williams – trumpet; other musicians uncredited.


private collection volume 3

September 12th Blues (CD: “The Private Collection, Volume 3: Studio Sessions, New York 1962 Saja 91043-2)

Recorded 12 September 1962, New York City

Cootie Williams, Bill Berry, Roy Burrowes, Cat Anderson, Ray Nance – trumpet; Lawrence Brown, Buster Cooper, Chuck Connors – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Aaron Bell – bass; Sam Woodyard – drums.


0000120517



It’s Something You Ought To Know
 (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.



 

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