Portrait of Ben Webster, Pt. II (Podcast #18-003)

“He was considered the supreme ballad master. As great as Prez, Hawk and Byas were, they all had to take a back seat to Ben on ballads. Ben almost had a monopoly on the pretty ones. His breathy, whispy [sic] style, coupled with a most distinct tone enabled him to get an effect of a violin sound in his upper register playing. And when he would manipulate down to the lower register, he would nearly blow you out of your mind.”

-Bernard Montgomery



ben webster late




Alum

 Jet Magazine, 24 July 1958


BW website

Screenshot from The Official Ben Webster website





websterbenjamim

 Ben Webster’s ashes are buried at Assistens Cemetery in Copenhagen


The recordings heard on this podcast episode:



atmosphere

Blue Light (LP: “Atmosphere for Lovers and Thieves” Black Lion Records 65117)

Recorded September 1965, Copenhagen

Ben Webster, Ole Kongsted – tenor sax; Arnved Meyer – trumpet; John Darville – trombone; Niels Jorgen Steen – piano; Henrik Hartmann – bass; Hans Nymand – drums.


bw with strings

What Am I Here For? (CD: “Music for Loving” Verve 314 527 774-2)

Recorded 9 September 1955, New York City

Ben Webster – tenor sax; Al Epstein, Danny Bank – reeds; Harold Colletta, Martin Donegan, Leo Kruczek, Harry Lookofsky, Eugene Orloff, Tosha Samaroff, Paul Winter – violin; Burt Fisch – viola; Abram Boradkin, George Ricci, Lucien Schmitt – cello; Hank Jones – piano; Chet Amsterdam, Wendell Marshall – bass; Osie Johnson – drums; Ralph Burns – arranger, conductor.

My Funny Valentine

Recorded 30 March 1954, New York City

Ben Webster – tenor sax; Teddy Wilson – piano; Ray Brown – bass; Jo Jones – drums.


BW emarcy

Pouting/The Iron Hat (CD: “The Complete Ben Webster on EmArcy” EmArcy 824 836-2(1))

Recorded 23 January 1953, New York City

Don Elliot – trumpet, mellophone; Eddie Bert – trombone; Sam Rubinowitch – alto sax, piccolo; Ben Webster – tenor sax; Sidney Brown – baritone sax; Billy Taylor – piano; Milt Hinton – bass; Jo Jones – drums; Johnny Richards – arranger.


 

See_You_at_the_Fair

In a Mellow Tone / The Single Petal of a Rose (CD: “See You At The Fair” Impulse! GRD-121)

Recorded 11 March 1964, Englewood Cliffs, New Jersey

Ben Webster – tenor sax; Hank Jones – piano; Richard Davis – bass; Osie Johnson -drums.


Ben-Webster-Meets-Don-Byas-cover

Caravan (CD: “Ben Webster meets Don Byas” Verve 827920-2)

Recorded 1/2 February 1968, Villingen, Black Forest, Germany

Ben Webster, Don Byas – tenor sax; Tete Montoliu – piano; Peter Trunk – bass; Albert “Tootie” Heath – drums.


ben and bean

It Never Entered My Mind (CD: “Coleman Hawkins encounters Ben Webster” Verve 9884036)

Recorded 16 October 1957, Los Angeles

Ben Webster, Coleman Hawkins – tenor sax; Oscar Peterson – piano; Herb Ellis – guitar; Ray Brown – bass; Alvin Stoller – drums.


side by side

Just A Memory (CD: “Johnny Hodges and Duke Ellington – Side by Side” PolyGram
5214052)

Recorded 14 August 1958, New York City

Johnny Hodges – alto saxophone; Roy Eldridge – trumpet; Lawrence Brown – trombone; Ben Webster – tenor saxophone; Billy Strayhorn – piano; Wendell Marshall – bass; Jo Jones – drums.


king of the tenors

That’s All (CD: “King of the Tenors” Verve 314 519 806-2)

Recorded 8 December 1953, Los Angeles

Ben Webster – tenor sax; Harry “Sweets” Edison – trumpet; Benny Carter – alto sax; Oscar Peterson – piano; Herb Ellis – guitar; Ray Brown – bass; Alvin Stoller – drums.


ben and art tatum

Gone with the Wind (CD: “The Tatum Group Masterpieces” Pablo J33J 20034)

Recorded 11 September 1956, Los Angeles

Ben Webster – tenor sax; Art Tatum – piano; Red Callender – bass; Bill Douglass – drums.


slim gaillard

Potato Chips (CD: Slim Gaillard, “Opera In Vout” Verve)

Recorded 1952, New York City

Slim Gaillard – vocal; Ben Webster – tenor sax; others unknown.


newport

C Jam Blues/Chelsea Bridge (LP: Various Artists, “Newport Jazz Festival Live (Unreleased Highlights from 1956, 1958, 1963”) Columbia C2 38262)

Recorded 4 July 1958 live at The Newport Jazz Festival

Cootie Williams – trumpet; Rex Stewart – cornet; Tyree Glenn – trombone; Hilton Jefferson – alto sax; Ben Webster – tenor sax; Billy Strayhorn – piano; Oscar Pettiford – bass; Sonny Greer – drums.


ella and duke

All Too Soon (CD: “Ella & Duke at The Cote D’Azur” PolyGram 539030)
Recorded 29 July 1966, Juan-les-Pins, France

Ray Nance – trumpet, violin; Ben Webster – tenor sax; Cat Anderson, Herbie Jones, Mercer Ellington – trumpet; Lawrence Brown, Buster Cooper, Chuck Connors – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; John Lamb – bass; Sam Woodyard – drums.

 

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Portrait of Ben Webster, Pt. I (Podcast #18-002)

“After he had made a record date with us in 1935, I always had a yen for Ben. So as soon as we thought we could afford him, we added him on, which gave us a five-piece saxophone section for the first time. Although Barney Bigard used to play tenor saxophone, clarinet was his main instrument, so Ben Webster was really our first tenor specialist and soloist. His splendid performances on “Cottontail,” “Conga Brava,” “All Too Soon,” “Just a-Settin’ and a-Rockin’,” and “What Am I Here For?” were a sensation everywhere, and he soon became a big asset to the band. His enthusiasm and drive had an especially important influence on the saxophone section.

His influence didn’t end when he left either, because when Paul Gonsalves came into the band he knew all of Ben’s solos note for note.”

-Duke Ellington, Music is my Mistress

 

ben webster

cottontail

Ben Webster’s famous solo on “Cottontail.” Link to the full solo is here.

 



The recordings heard on this podcast episode:



 

elling_duke_complete1_101b

(CD: “The Complete 1933-1940 Brunswick, Columbia and Master Recordings of Duke Ellington and his Famous Orchestra” Mosaic Records #248)

Truckin’

Recorded 19 August 1935, New York City

Arthur Whetsel, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Otto Hardwicke, Johnny Hodges, Barney Bigard, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Billy Taylor – bass; Sonny Greer – drums, Ivy Anderson – vocal.


In A Jam

Recorded 29 July 1936, New York City
Arthur Whetsel, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Otto Hardwicke, Johnny Hodges, Barney Bigard, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Billy Taylor – bass; Sonny Greer – drums.


Mood Indigo

Recorded 14 February 1940, Chicago

Wallace Jones, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Otto Hardwicke, Johnny Hodges, Barney Bigard, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums.



 

Highlights

(CD: “Highlights of the Great 1940-1942 Band” Avid AMSC1143)

All Too Soon

Recorded 22 July 1940, New York City

Wallace Jones, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Otto Hardwicke, Johnny Hodges, Barney Bigard, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums.


Cotton Tail 

Recorded 4 May 1940, Los Angeles

Wallace Jones, Cootie Williams, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Otto Hardwicke, Johnny Hodges, Barney Bigard, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums.


Blue Serge

Recorded 15 February 1941, Los Angeles

Wallace Jones, Ray Nance, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Otto Hardwicke, Johnny Hodges, Barney Bigard, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums.


Rain Check

Recorded 2 December 1941, Los Angeles

Wallace Jones, Ray Nance, Rex Stewart – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Otto Hardwicke, Johnny Hodges, Barney Bigard, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums.



 

Duke-at-Fargo-1

Bojangles

Stardust

Recorded 7 November 1940 at The Crystal Ballroom in Fargo, North Dakota
Wallace Jones, Rex Stewart, Ray Nance – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol -trombone; Barney Bigard, Johnny Hodges, Otto  Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums.



nance non ducal

Swinging in 4 (CD: “Ray Nance, The Complete 1940-1949 Non-Ducal Violin Recordings”)

Recorded 1941, Los Angeles

Ben Webster – clarinet; Ray Nance – violin; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums.



 

carnegie 48

How High The Moon (CD: “Carnegie Hall, November 13, 1948” Vintage Jazz Classics 1024)

Recorded 13 November 1948 at Carnegie Hall, New York City

Shelton Hemphill, Al Killian, Francis Williams, Harold Baker, Ray Nance – trumpet; Lawrence Brown, Quentin Jackson, Tyree Glenn – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Al Sears, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guy; Wendell Marshall – bass; Sonny Greer – drums.


 

It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.


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Beyond “The Usual Suspects” (Podcast #18-001)

Most Duke Ellington tribute concerts and recordings rely on just a handful of his compositions (Mood Indigo, Satin Doll, In A Sentimental Mood, etc.). The Duke Ellington Society refers  to these songs as “the usual suspects.” While they are worthy of their status as standards, Ellington wrote thousands of compositions; there is plenty of his oeuvre that is ripe for exploration!


Despite having a major new work to  promote (Such Sweet Thunder), in this 1957 television appearance Ellington has to take time away from it in order to play a greatest hits medley (aka “The Usual Suspects”).




Transcription of Duke Ellington’s Melacholia by Albert de la Fuente


 



The recordings heard on this podcast episode:



 

works of duke vol. 8

Blue Feeling – Duke Ellington (LP: “The Works of Duke, Volume 8” French RCA 741.114)

Recorded 10 January 1934, Chicago

Arthur Whetsel, Cootie Williams, Freddie Jenkins, Louis Bacon – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Otto Hardwicke, Harry Carney -reeds; Duke Ellington – piano; Fred Guy – guitar; Wellman Braud – bass; Sonny Greer – drums.


 

JAY_MCSHANN_THE+BIG+APPLE+BASH-530771

Blue Feeling – Jay McShann (LP: “The Big Apple Bash” Atlantic SD 8804)

Recorded 3-10 August 1971, New York City

Doc Cheatham – trumpet; Dickie Wells – trombone; Earl Warren – alto sax; Herbie Mann – clarinet, tenor sax; Jay McShann – piano; John Scofield – guitar; Eddie Gomez – bass; Connie Kay – drums.


 

works of duke vol. 7

The Mystery Song – Duke Ellington (LP: “The Works of Duke, Volume 7” French RCA 741.085)

Recorded 17 June 1931 in Camden, New Jersey

Arthur Whetsel, Cootie Williams, Freddie Jenkins – trumpet; Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums


 

evidence

The Mystery Song – Steve Lacy & Don Cherry (LP: “Evidence” Prestige MPP 2505)

Recorded 1 November 1961, Englewood Cliffs, New Jersey

Don Cherry – trumpet; Steve Lacy – soprano sax; Carl Brown – bass; Billy Higgins – drums.


 

Second_Sacred_Concert

Heaven – Duke Ellington (LP: “Second Sacred Concert” Prestige P-24045)

Recorded 22 January 1968, New York City

Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington – trumpet; Lawrence Brown, Buster Cooper, Chuck Connors – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Jeff Castleman – bass; Sam Woodyard, Steve Little – drums; Alice Babs – vocal.


 

phil woods heaven

Heaven – Phil Woods (CD: “Heaven” Blackhawk BHK 5042)

Recorded 28/29 December 1984, Bearsville, New York

Phil Woods – clarinet, alto sax; Tom Harrell – trumpet; Hal Galper – piano; Steve Gilmore – bass; Bill Goodwin – drums.


 

Second_Sacred_Concert

Something About Believing – Duke Ellington (LP: “Second Sacred Concert” Prestige P-24045)

Recorded 19/20 February 1968, New York City

Cootie Williams, Cat Anderson, Herbie Jones, Mercer Ellington – trumpet; Lawrence Brown, Buster Cooper, Benny Green, Chuck Connors – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Jeff Castleman – bass; Sam Woodyard – drums; Tony Watkins, Devonne Gardner, Roscoe Gill, The Frank Parker Singers, unknown choir – vocal.


 

a meeting of the times

Something About Believing – Rahsaan Roland Kirk (LP:”A Meeting of the Times” Atlantic SD 1630)

Recorded 30 March 1972, New York City

Rahsaan Roland Kirk – tenor sax, manzello; Hank Jones – piano; Ron Carter – bass; Oliver Jackson – drums


 

piano reflections

Melancholia – Duke Ellington (CD:”Piano Reflections” Capitol C2-92863)

Recorded 13 April 1953, Los Angeles

Duke Ellington – piano; Wendell Marshall – bass.


 

Norah Jones

Don’t Miss You At All – Nora Jones (CD: “Feels Like Home” Blue Note 590952)

Released 2004

Norah Jones – vocal, piano.


 

Whitney

A Mural from Two Perspectives (CD: “Live at The Whitney” Impulse/GRP 173)

Recorded 10 April 1972, Whitney Museum, New York City

Duke Ellington – piano.


 

Don Byron

A Mural from Two Perspectives – Don Byron (CD: “Romance with the Unseen” Blue Note 4995452)

Recorded January-March 1999, Bearsville, New York

Don Byron – clarinet; Bill Frissell – guitar; Drew Gress -bass; Jack DeJohnette – drums.

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Season’s Greetings! (Podcast #17-017)

Xmas

Happy Holidays from

Ellington Reflections!

 

We will return with new bi-weekly episodes on 20 January 2018

 

Thank you for all your support and encouragement. We love you madly!!!

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The Cinematic Ellington (Podcast #17-016)

“Has Duke Ellington ever saved your life?

David O. Russell knows the answer to that particular question because Ellington’s music has rescued him many times. It happened yesterday. It’ll probably happen again tomorrow. And it also happens near the beginning of Russell’s latest movie, American Hustle, when a couple of con artists, played by Christian Bale and Amy Adams, plop down on the floor and listen to Ellington’s slow-cooker classic “Jeep’s Blues” and look into each others’ eyes and know they’ve found heaven on a cracker.”

-Glenn Whipp, Los Angeles Times


Is this Duke Ellington in a 1925 silent film?


The full short film “Black and Tan” (1929)


“Old Man Blues” from “Check and Double Check” (1930)


“Ebony Rhapsody” from “Murder at the Vanities” (1934)


“Things Ain’t What They Used To Be” and “Going Up” from “Cabin In The Sky” (1943)


“Battle Royal” from “Paris Blues” (1961)


“Neo-Creole” from “Change of Mind” (1969)


 

The “Duke Ellington scene” from “American Hustle” (2013)



The recordings heard on this podcast episode:



paris blues

Take the “A” Train (CD: “Paris Blues” Rykodisc RCD 10713)

Recorded 1961

Murray McEachern – trombone; Paul Gonsalves (?) – tenor sax;


early ellington

Flaming Youth (CD: “Early Ellington (1927-1934)” Bluebird RCA / Bluebird
6852)

Recorded 16 January 1929 in New York City

Arthur Whetsel, Bubber Miley, Freddie Jenkins – trumpet; Joe Nanton – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums

Old Man Blues (CD: “Early Ellington (1927-1934)” Bluebird RCA / Bluebird
6852)

Recorded 20 August 1930 in Los Angeles

Arthur Whetsel, Freddie Jenkins, Cootie Williams – trumpet; Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – banjo; Wellman Braud – bass; Sonny Greer – drums.


capitol

My Old Flame (CD: “The Complete Capitol Recordings of Duke Ellington” Mosaic Records #160)

Recorded 7 April 1953 in Los Angeles

Willie Cook, Cat Anderson, Clark Terry, Ray Nance – trumpet; Britt Woodman, Quentin Jackson, Juan Tizol – trombone; Jimmy Hamilton, Russell Procope, Rick Henderson, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Wendell Marshall – bass; Butch Ballard – drums.


carnegie

Going Up (CD: “The Complete Prestige Carnegie Hall 1943-1944 Concerts Definitive Classics DRCD 11210)

Recorded 23 January 1943 at Carnegie Hall, New York City

Wallace Jones, Rex Stewart, Harold Baker – trumpet; Ray Nance – trumpet and violin; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Chauncy Haughton, Johnny Hodges, Otto Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Junior Raglin – bass; Sonny Greer – drums.


anatomy of a murder

Flirtibird//Upper and Outest (CD: “Anatomy of a Murder” Columbia/Legacy
CK 65569)

Recorded early June 1959 in Los Angeles

Cat Anderson, Harold Baker, Gerald Wilson, Clark Terry, Ray Nance – trumpet; Britt Woodman, Quentin Jackson, John Sanders – trombone; Jimmy Hamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington, Billy Strayhorn – piano; Jimmy Woode – bass; Jimmy Johnson – drums.


uncommon market

Guitar Amour (from “Paris Blues”) (CD: “Duke Ellington in the Uncommon Market” Pablo
2308247)

Recorded 6 or 7 February 1963 in Stockholm

Cootie Williams, Roy Burrowes, Cat Anderson – trumpet; Ray Nance – violin; Lawrence Brown, Buster Cooper, Chuck Connors – trombone; JimmyHamilton, Russell Procope, Johnny Hodges, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Ernie Shepard – bass; Sam Woodyard – drums.



assault on a queenPrelude
(Main title music from “Assault on a Queen”) 1966 (CD: “Assault on a Queen” Dragon’s Domain Records DDR621)

Recorded 19/20 January 1966 in Los Angeles

Cootie Williams, Cat Anderson, Conte Candoli, Al Porcino, Ray Triscari – trumpet; Murray McEachern, Milt Bernhart, Hoyt Bohannon, Ken Shroyer – trombone; Jimmy Hamilton, Buddy Collette, Johnny Hodges, Paul Gonsalves, Bud Shank, Harry Carney – reeds;  Catherine Gothoffer – harp; Duke Ellington – piano; John Lamb – bass; Louie Bellson – drums.


workshop

Neo-Creole (from “Change of Mind”)(LP: “Up In Duke’s Workshop” Pablo 2310-815)

Cootie Williams, Willie Cook, Mercer Ellington, Harold “Money” Johnson – trumpet; Lawrence Brown, Benny Green, Chuck Connors – trombone; Norris Turney, Russell Procope, Johnny Hodges, Harold Ashby, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Paul Kondziela, Victor Gaskin – bass; Rufus Jones – drums.


EllingtonAtNewport

Jeep’s Blues (CD: “Ellington at Newport 1956 (Complete)” Columbia Legacy C2K 64932)

Recorded 9 July 1956 in New York City (Fake applause was added to make this studio recording appear as if it was recorded at the Newport Jazz Festival)

Cat Anderson, Clark Terry, Willie Cook, Ray Nance – trumpet; Britt Woodman, Quentin Jackson, John Sanders – trombone; Johnny Hodges, Russell Procope, Paul Gonsalves, Jimmy Hamilton, Harry Carney – reeds; Duke Ellington – piano; Jimmy Woode – bass; Sam Woodyard – drums.


0000120517

It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.


 

 

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The River (Podcast #17-015)



“In retrospect, it seems that 1970 must have been a busy year, because I was also working on a ballet score that had been commissioned by the American Ballet Theatre. Choreographed by Alvin Ailey, the ballet was premiered at the New York State Theatre on June 25, and it received enthusiastic reviews from, notably Clive Barnes in the New York Times. It was entitled The River…..”

–Duke Ellington, Music Is My Mistress



 



The recordings heard on this podcast episode:



 

River

The Spring//The Meander//The River//The Neo-Hip-Hot Kiddies Communities//Her Majesty, The Sea (CD: “The Private Collection, Volume 5 – The Suites” LMR CD 83004)

Recorded 25 May 1970 in Chicago

Cootie Williams, Cat Anderson, Mercer Ellington, Fred Stone – trumpet; Booty Wood, Julian Priester, Chuck Connors – trombone; Russell Procope, Norris Turney, Harold Ashby, Paul Gonsalves, Harry Carney – reeds; Duke Ellington – piano; Joe Benjamin – bass; Rufus Jones – drums.


The River_Louisville

The Giggling Rapids//The Lake(LP: “Suite from The River” First Edition Records LS 777)

Recorded 1983

The Louisville Orchestra, Akira Endo – director.


overwater

The Run//The Falls//The Whirlpool//The Spring (CD: “Ellington Suites” Jazz in Motion Records JIM 75219)

Recorded 16 February 2005, live at the Bimhuis, Amsterdam

Tony Overwater – bass; Wim Kegel – drums; Oliver Boekhoorn – oboe, English Horn; Ivar Berix – clarinet; Raaf Hekkema – alto sax; Jelte Althuis – bass clarinet; Alban Wesly – bassoon.


Accelerando_(album)

 

The Villiage of the Virgins (CD: “Accelerando” Act Music + Vision ACT95242)

Recorded 8/9 August 2011 in New York City

Vijay Iyer – piano; Stephen Crump – bass; Marcus Gilmore – drums.


 

 

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Reflections from the Avant Garde (Podcast #17-014)



“Now, when I was considered avant garde, Duke Ellington at that time was avant garde to me — and I’m sure Barry Ulanov would say the same thing, although he never exactly said Duke was avant garde; but Duke was, because his music was more modern than most things going on.”

Charles Mingus



SUNRA

Sun Ra and his Arkestra at the Coach House in San Juan Capistrano, CA 1985 (photo by Steve Bowie)





The recordings heard on this podcast episode:



montr

Take the “A” Train (CD: “Live at Montreux” Inner City )

Recorded 9 July 1976 in Montreux, Switzerland

Sun Ra – piano; Ahmed Abdullah, Al Evans, Chris Capers – trumpet; Vincent Chancey: – french horn; Marshall Allen, John Gilmore, Pat Patrick, James “Ham” Jackson, Elo Omo, Danny Davis – reeds; Tony Bunn, Hayes Burnett – bass; Clifford Jarvis, Larry Bright, Stanley Morgan – drums and percussion.


 

AEC

Creole Love Call (CD:”Ancient to the Future, Volume 1″ DIW 804)

Recorded 17-19 March 1987 in Brooklyn, NY

Lester Bowie – trumpet; Roscoe Mitchell, Joseph Jarman – reeds; Malachi Favors – bass; Famadou Don Moye – drums.


WSQ

Come Sunday (CD: “The World Saxophone Quartet Plays Duke Ellington” Nonesuch
79137)

Recorded April 1986 in New York City

Julius Hemphill, Oliver Lake – alto sax; David Murray – tenor sax;  Hamiet Bluiett – baritone sax.


Highlights

Jumpin’ Punkins (CD: “Highlights of the Great 1940-1942 Band” Avid AMSC1143)

Recorded 5 June 1941, Los Angeles

Wallace Jones, Rex Stewart, Ray Nance – trumpet; Lawrence Brown, Joe Nanton, Juan Tizol – trombone; Barney Bigard, Johnny Hodges, Otto Hardwicke, Ben Webster, Harry Carney – reeds; Duke Ellington – piano; Fred Guy – guitar; Jimmie Blanton – bass; Sonny Greer – drums.


cecil taylor

Jumpin’ Punkins (CD: “The Complete Candid Recordings of Cecil Taylor and Buell Neidlinger” Mosaic 127)

Recorded 9 January 1961 in New York City

Cecil Taylor – piano; Clark Terry – trumpet; Roswell Rudd – trombone; Steve Lacy – soprano sax; Archie Shepp – tenor sax; Charles Davis – baritone sax; Buell Neidlinger – bass; Billy Higgins – drums.


archie shepp

Prelude to a Kiss (CD: “Day Dream” Denon Jazz DC-8547)

Recorded 3 June 1977 in New York City

Archie Shepp – tenor sax; Walter Davis – piano; Earl May – bass; Philly Joe Jones – drums.


Steve Lacy

Ko Ko (CD: “Monk’s Dream” Universal / Verve E5430902)

Recorded 21-22 June 1999 in Paris

Steve Lacy – soprano sax; Roswell Rudd – trombone; Jean-Jacques Avenel – bass; John Betsch – drums.


foreground

Summertime (CD: “Piano in the Foreground” Columbia / Legacy  87042)

Recorded 1 March 1961 in Los Angeles

Duke Ellington – piano; Aaron Bell – bass; Sam Woodyard – drums.


0000120517

It’s Something You Ought To Know (Paul Gonsalves – “Ellingtonia Moods and Blues,” RCA Victor / RCA63562)

Recorded 29 February 1960, New York City

Paul Gonsalves- tenor sax; Johnny Hodges – alto sax; Ray Nance – cornet; Mitchell “Booty” Wood – trombone; Jimmy Jones – piano; Al Hall – bass; Oliver Jackson – drums.

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